It is, to put it lightly, everything that a lot of us are not. Big, bulky, objectively gorgeous men with bums capable of generating their own orbit, and bulges under jeans or leather accentuated and exaggerated to the point of equine anatomy. Ethereal faces shaded with wispy pencil lines that make the men tantalisingly masculine with their strong moustaches and bold eyebrows, yet cherubic in the desire we may have for their perfect complexions and god-like facial structures. From the very first drawings of clothed men with their lingering gaze, to the portrait of Tom by Robert Mapplethorpe, to the full blown sex scenes, it is quite understandably a vast display of leather, muscles and well-endowed men.
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The author of two-dozen published works, he wrote with aggressive candor, detachment, and passion through a mixture of diary writing, memoir, and fiction. Both his writings and photography were closely linked to his private life. He worked in black and white with tones drawn to soft grays. His work is both restrained and subtle, created more for his person or close friends rather than public exposure.
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